He Who Chops His Own Wood Is Twice Warmed
In his ongoing series 'Once Upon A Time In The West', artist Travis Schneider documents personal landmarks along the road between his two home towns. Driving back and forth between Los Angeles and Sun Valley, Idaho since he was 5, these old signs signaled his distance from home. The stack of wood is home.
This Exclusive Tappan Edition is an archival photographic art print on natural white, 100% cotton rag, acid and lignin free archival paper.
The dimensions reflect the image size. If purchased unframed, there is an additional 3" white border around the image included for framing purposes.
12 x 12 inches | edition of 30
20 x 20 inches | edition of 20
12 x 12 inches
Matted: 19.25 x 19.25 x 1.25 inches
Full Bleed: 13.25 x 13.25 x 1.25 inches
20 x 20 inches
Matted: 27.25 x 27.25 x 1.25 inches
Full Bleed: 21.25 x 21.25 x 1.25 inches
The work comes with a Certification of Authenticity signed and numbered by the Co-Founder of Tappan
Unframed works ship in 5 - 7 business days.
Framed works ship in 7 - 10 business days.
Q. When I’m not behind the camera or the microphone you can find me...?
A. Eating… It’s probably the only thing I actually spend money on…
Tappan proudly presents Weidling Now, an exhibition of works by artists Travis Schneider and many more.
Framing & Mounting
Our frames are produced from the best quality wood, primarily from Italy. Each is custom cut and assembled by hand to fit your art. Hanging hardware included!
THIN GALLERY FRAME
This modern profile was designed for artists and photographers. Narrow on the front and deep on the sides, our slim mouldings provide a clean, sharp frame for your art, and allows all focus to be on your gorgeous work.
3/4" wide; 1 1/8" deep
UV - PROTECTIVE ACRYLIC
Our acrylic is more expensive than glass, but we use it because it’s clearer, far more impact resistant, and protects your art against UV rays. Framing-grade acrylic has become a new standard in framing because of its “clear” benefits.
THE FULL BLEED
Works are framed flush with the edge of your print without a mat. Request border modifications and spacers, which keep the work from touching the glass.
Adds a white core mat with a bevel cut opening to the edge of your print. If your work has a signature or edition numbering, we will automatically mat around it unless otherwise specified.
We use 4-ply, conservation-grade, acid-free mat board. We match whites and off-whites to your exact piece. Acid-free materials protect your art from yellowing or becoming brittle.
Floating a piece allows for a full view of the face and sides of the artwork. Floating is recommended for original drawings and paintings or any piece produced on specially trimmed paper.
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